Features
 | Sleek, highly intuitive, and customizable user interface: View more of your media with redesigned monitor panels, customizable button bars, and full-screen mode option. Work more easily with sound with the new audio track design, improved meters, and a revamped Mixer panel. |
| Fluid editing workflow: Take advantage of the most requested editing enhancements, including over 50 enhancements to smooth the transition for those switching from another NLE. Mix audio with ease and use convenient, customizable keyboard shortcuts to handle a wide range of common tasks. |
| Dynamic timeline trimming: Finesse your editing with precision using powerful trimming tools. Trim clips your way—directly in the timeline via keyboard entry or dynamically in the Program Monitor using JKL shortcuts. |
| Warp Stabilizer effect: Easily stabilize a bumpy camera move or lock a shot automatically with the same powerful technology as in After Effects® software. The Warp Stabilizer removes jitter and compensates for rolling shutter artifacts and other motion-related irregularities. |
| Powerful multicam editing: Quickly and easily edit multicam footage from as many cameras as you have on the shoot. View each track’s audio waveform, sync via timecode, switch between tracks in real time, and adjust color across multiple shots. |
| Adjustment layers: Apply effects that span multiple clips. Create adjustment layers, similar to those in Adobe Photoshop® and After Effects® software, to apply effects to clips on tracks below them. Easily create masks to adjust a selected area of a shot. |
| Fast Project panel workflows: View, sort, and arrange media easily with the resizable clip thumbnails in the revamped visual Project panel. Quickly assemble rough cuts by scrubbing clips and setting in and out points directly in the Project panel, without first having to load clips into the Source Monitor. |
| Newly enhanced Adobe Mercury Playback Engine: Work dramatically faster with sweeping performance and stability enhancements to the natively 64 bit, multicore-CPU optimized, and GPU-accelerated engine. New support for OpenCL on certain MacBook® Pro computers brings GPU-accelerated workflows to Mac® computer users, while support for NVIDIA® Maximus™ dual-GPU systems delivers even more extreme performance. |
| Broad native format support: Save time and maximize quality by working natively with almost every video format, without having to transcode or rewrap footage. Take advantage of new support for ARRI ALEXA, RED EPIC,® RED SCARLET-X, and Canon Cinema EOS C300 cameras. |
| Flexible audio tracks: Freely combine and pan mono and stereo clips. New adaptive audio track types and an easier way to create a multichannel master deliver greater audio flexibility. |
| More powerful color workflows: Easily manage the color in your projects with a more intuitive Three-Way Color Corrector for precise primary and secondary color correction. Export sequences to new Adobe® SpeedGrade™ CS6 software for a complete finishing solution. |
| Adobe® Mercury Transmit: Experience better performance than ever before with third-party I/O hardware devices, including full-screen playback on external monitors, through Mercury Transmit, which gives I/O hardware partners direct access to the Adobe Mercury Playback Engine. |
| Rolling Shutter Repair effect: Easily repair media with rolling shutter artifacts such as wobble and skew. Based on technology in the Warp Stabilizer, this powerful effect can be applied without stabilization and offers enhanced controls. |
| Adobe® Prelude™ CS6 software integration: Use Adobe Prelude software to efficiently log footage, create rough cuts to bring into Adobe Premiere® Pro software, and add comments and markers that are associated with the media, simplifying organization and helping to make your final video more discoverable online. |
| Uninterrupted playback: Stay in the creative editing zone. Make changes on the fly without playback stopping until you ask it to. Edit, trim, and apply filters; adjust their parameters and add effects in real-time, all during looping playback. |
| Faster Adobe workflows: Effortlessly move assets among Adobe® Premiere® Pro, After Effects,® Photoshop® Extended, Encore,® Illustrator,® and Adobe Audition® software. Seamlessly open an After Effects composition in Adobe Premiere Pro software without intermediate rendering, thanks to the faster-than-ever Adobe Dynamic Link. |
| Integrated with Adobe® SpeedGrade™ CS6 software: Easily export your Adobe Premiere Pro sequences into Adobe SpeedGrade CS6 software for a complete finishing solution. In Adobe SpeedGrade software, handle grading tasks like matching shots and creating consistent nuanced color to visually enhance your projects. |
| Improved third-party tool interoperability: Easily exchange projects with Final Cut Pro® and Avid® software, and other third-party tools and applications, thanks to improved support for industry-standard XML, AAF, and OMF interchange formats. |
| Fast, sure output to virtually any device or format: Quickly and easily output your work for nearly any screen with Adobe® Media Encoder. Set, customize, and organize your favorite presets in the new Preset Browser for fast export and batch encoding in the background. |
| DVD, Blu-ray Disc, and web DVD authoring: Efficiently create DVDs, Blu-ray discs, and web DVDs, all from a single project, using new 64-bit Encore® CS6 software. Open sequences without rendering and use flowcharts to define and view the navigation of your project. Article Source : http://goo.gl/aG5hxf |
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